Synchronized Starlings in Netivot

Bird watchers enjoy a rare synchronized starling flyover as they form black clouds in Israel's skies.

The Seven Keys to Shamayim

by Harav Moshe Wolfson, shlita [Rav of Beis Medrash Emunas Yisroel and Mashgiach of Yeshivah Torah Vodaas]

[Adapted from a shiur that was delivered under the auspices of Irgun Shiurai Torah and prepared for publication by Rabbi Yochonon Donn]

Wordless Power

There are two types of song: one has words (this category would include the art of poetry) in which words are joined together to create a rhythmic pattern and a sense of uniformity. In this type, the feeling of enjoyment and relaxation that comes from hearing music results from the whole song including the words.

In the second type of song, the reason for the enjoyment it gives us is more obscure: it comes when notes are put together to create a wordless song. It is not logical that notes thrown together should elicit a sense of enjoyment in people, that wordless tunes can be enjoyed is a gift from Hashem.

Sefer Pe'as Hashulchan by Harav Yisrael of Shklov zt'l, cites the Vilna Gaon in saying that most of the secrets of Torah are hidden in the art of music and that without understanding music it is impossible to comprehend the Torah. This knowledge of music was given over to Moshe Rabbeinu on Har Sinai along with the rest of the Torah.

The Zohar even says that there is a heichal - an entranceway - in Shamayim that can be opened only with neginah (song). The Zohar relates that Dovid HaMelech approached that entrance only with the neginah of his Sefer Tehillim.

Keys to the Heichal

The seven major musical notes are called keys. Each of the seven keys opens a different door in Shamayim, and it is only through music that these entryways can be opened. Musicologists do not know why the term "key" is used, but it is quite possible that it is a tradition handed down from Yuval, whom the Torah identifies as the father of music.

When the Baal Ha'Tanya came to Shklov, the residents bombarded him with questions. Chabad sources say that he responded with only a niggun, which answered all their questions. As the Vilna Gaon explained, music opens the doors of Torah in Shamayim.

A Gemara in Arachin says that the kinor (stringed instrument) in the Beis Hamikdash had seven strings, but in the times of Moshiach it will have eight strings. There are seven major notes on a musical scale, and the seventh note corresponds to Shabbos, for Shabbos completes the kinor, so that even today one can sing. The seven days of the week are actually the seven tunes of Creation. When Shabbos - the seventh tune - arrives, the harp is complete. This is the reason why we usher in the Shabbos with kapitel 29 of Tehillim, which describes the seven kolos - since then we can proceed with song.

This is the reason for the minhag among Klal Yisrael of singing zemiros on Shabbos. HaRav Mordechai of Lechovich zt"l reportedly said that he would be able to believe that all the seven seas had dried up, but not that a Jew does not sing zemiros on Shabbos.

The reason people so enjoy songs is that the tones that form them have been combined ever since the six days of Creation. Some songs, however, only confuse a person, such as some modern-day songs that are based on, for example, the pounding of a drum, or on words that have no correlation to each other, such as many non-Jewish songs. While they have a tune, it is different than the accepted process of music.

This latter type of song leads to immorality, just as the tones of these songs have no relation to each other but are merely thrown together, immorality involves the relations of two people who are not meant for each other. Neither these songs nor illicit unions were predestined from Creation.

Seven Keys of Chesed

There is a fundamental difference between the seven ushpizin (the holy guests on Succot) and the twelve shvatim - the 12 tribes of Israel. Every Jew has a direct connection with the Ushpizin, whereas each shevet is a separate and unique entity, the shvatim are thus a symbol of disunity.

For every seven white keys, representing the major notes on the piano, there are five black keys, representing the minor notes, each of which is a half-tone higher or lower than the white key next to it. The black keys complement and harmonize with the white keys.

In general, someone who would play using just the white keys on the piano would be able to play only a lively song, while playing just the black keys would result in a sorrowful song of sadness.

It is likely then that another tradition handed down from Yuval is for the keys that play major notes to be white, for happy songs, while the black keys, which play the minor notes, are black, for mournful music.

White is a source of chessed (kindness) for Klal Yisrael (this may be one reason doctors wear white), on the Yamim Nora'im we wear white kittels. Black, on the other hand, represents the trait of gevurah (severity) and is a source and an expression of melancholy.

A song that is played using a combination of black and white keys mixes chessed and gevurah. Together the seven white keys and five black keys of an octave equal twelve, the number of tribes of Israel, which as mentoned above, can symbolize disunity. Such a song is appropriate only for galus. When Moshiach arrives, however, everything will be white, for there will be no atzvus (sadness).

Chazal tell us that when Moshiach comes, an eighth key will be added to music; this key will be a 'roundup' of the previous seven (similar to the all-inclusive kollel used in gematriyos).

In Sefer Tehillim (68:7) when Dovid HaMelech relates the events of our redemption from Mitzrayim, he says motzi asirim bakosharos - "(Hashem) releases those who are bound in chains". The Gemara explains that the word "bakosharos" is a combination of bechi and shiros - simultaneous crying and laughter. This is a song played with both the white and black keys. When Moshiach comes, however, there will only be shirah - a joyous song played with the white keys.

How Strong Are You?

Art by Paul David Bond

Words by Rabbi Michoel Gourarie

In Pirkei Avot [Ethics of the Fathers] there is a passage that reads: Ben Zoma said, Who is strong? He who conquers his evil inclination as it says, 'He who masters his passions is better than one who conquers a city.' The message here is clear - dealing with, and changing negative behavior is extremely difficult. Why does discipline and self control need so much strength?

The mystics explain that every one of us is operated by two forces - the animal soul and the Divine soul. The animal soul is the source of our ego and encourages hedonism, aggression, laziness and emptiness. The Divine soul is the source of moral reasoning and spiritual consciousness. It inspires an awareness of a higher purpose and gives us the ability to think rationally and objectively, making decisions for ethical behavior and appropriate responses to everyday experiences.

Each soul has its own dominant force. The animal soul is driven by instincts that are highly emotional, whereas the Divine soul is dominated by the power of intellect and reason. Both souls fight for control of the person. Both struggle to shape our personality and define our identity.

This is where the challenge of self control lies. The animalistic force is quick. It is emotional and instinctive and prompts a very swift response. The Divine soul is intellectual. It needs time to cognitively process the appropriate and moral response. So when we are insulted or provoked or presented with temptations and ethical dilemmas, the immediate response will be the feelings generated by the instincts and explosive emotions of the animal soul. We are tempted to get angry or do the wrong thing before we give the moral reason a chance.

Self control therefore needs the incredible strength of restraint. It requires holding back for just a few seconds between the things that happen to us and our response, creating a little space to think and process the point of view of the Divine voice. It is what Stephen Covey calls the "pause button between the stimulus and the response".

We need to train ourselves not to act quickly and instinctively. We need to use the unique ability of the human being to stop and ask ourselves the question - is this wrong or right? It takes amazing strength to wait a few seconds, but those few seconds can be the difference between an animalistic act and a divine one..

Next time you are faced with a challenge, give yourself a few seconds for the voice of the soul to be heard.

HafTorah Beshalach: The Victory Song of Devorah

Written by Reuven Gavriel ben Nissim Ebrahimoff

Read from the Book of Shoftim or Judges

Chapters 4 [The story] and 5 [the Song] for Ashkenazim, Just Chapter 5 for Sephardim.

Deborah commissions Barak to rid Israel of Cannanite oppression. The Prophetess brings about a spiritual regeneration.

The Story Line: 4:1-3 Bnai Yisrael sins by worshipping idols and are subdued by the Cana'anim [Cananites]. 4:4,5 The Prophetess Deborah, wife of Lapidot, becomes the leader of the Jews. 4:6-9 She sends Barak a prophetic message to wage war against the enemy. Hashem confuses Sisera's camp. 4:10-16 The enemy is defeated, just one person remains - Sisera. 4:17-22 Yael kills general Sisera by driving a spike through his head. 4:23-24 Bnai Yisrael kills King Yavin.

Devorah's Song - 5:1-3 Introduction: Praises to Hashem. Torah study and observance brings victory to Bnai Yisrael. 5:4-5 Without Torah they loose and with it they win. 5:6-13 Deborah's Song begins with the description of Matan Torah [The Giving of the Torah]. Start doing circumcisions again and Hashem will bless you. When you want evil decrees to be reversed, Praise Hashem. Thanks to Hashem for the most recent victory and protection from the enemy. 5:14-18 Praise for the Jews who joined the battle and condemnation of those who did not. 5:19-22 The miracles of the war. 5:23-27 Meroz is cursed and Yael is blessed. 5:28-30 False hopes in Sisra's camp. The Conclusion. This event broke the power King Yabin had over the Israelites.

The Haftorah's Connection between the Parsha and Haftorah: The Parsha of Beshalach contains the song that Moshe sang at the Yam Suf [Sea of Reeds], after Hashem rescued the nation of Israel from the Egyptian army. The Haftarah contains the song that was sung after Deborah defeated the Cananites.

The Biography of Deborah: Deborah was one of the seven Prophetesses, and knew the secret of Divine wisdom. She was a Shofettet [female judge] and war leader that led Israel from foreign oppression.

She lived in the latter half of the 12th century BCE.

Her husband was called a Lapidot [Wick Maker] She prophesied for 40 years.

Deborah was independently wealthy, she owned palm trees in Jericho, Orchards in Ramah. Oil producing olive trees in Beit-el.

She sat under a palm tree in order to avoid seclusion with men.

The Mishkan was in Shilo at the time.

Six miracles occurred on this day.

She came from the tribe of Naftali

She lived in Atarot.

Timeline: This story occurred about 3135 years ago.

The location of this Haftara is Mt. Tabor.

The Last Song

The Mechilta states that "there are ten songs" beginning with the song at the sea led by Moshe, and concluding with the tenth song which will be sung with Moshiach. All the [nine] songs mentioned in scripture are written in the feminine [shirah] since their rejoicing was followed by ["gave birth to"] further servitude. The tenth song of Moshiach is written in the masculine [shir] to indicate that it is permanent.

Chassidic teachings explain that the first nine songs emphasized primarily a desire to come closer to G-d from a distance, like a woman who longs to come closer to and receive from her husband. However, the tenth song of Moshiach will be sung from a feeling that G-d is already close and found openly in our midst, like a husband who is gracefully endearing himself to his wife.

Source: Sichas Shabbos Parshas Beshalach 5752, Lubavitcher Rebbe

Parshas HaMann: Segula for Parnossa

Art: Heidi Malott

Rebbe Menachem Mendel of Riminov [1745-1815], a disciple of the Holy Rebbe Elimelech of Lizhensk, instructed everyone to read "Parshat HaMann" specifically on the Yom Shlishi [Tuesday] of Parshat [Torah portion of] Beshalach in the "Shnayim Mikra v'Echad Targum" format, i.e. reading the Hebrew verses twice and the Aramaic translation of Onkelos once.   This year it will occur on Tuesday 22 January.

Not to be confused with the evil villain of the Purim story, Parshat haMann [The Chapter of the Manna] is found in the 16th Chapter of the Book of Exodus: verses 4-36. This Chapter details the episode of the miraculous "Manna" [bread from heaven] that sustained the Children of Israel during their 40-year journey in the desert.

Rav Yosef Caaro, the "mechaber" [compiler] of the monumental Halachic text, the Shulchan Aruch Orach Chaim 1:5, instructs us to recite it daily. Other giants of Halacha also point to the importance of reciting it daily: The Tur 1; Aruch Hashulchan 1:22; Shulchan Aruch HaRav 1:9.

By so doing, every Jew acknowledges that his/her livelihood comes from only from Hashem. Reciting the Parshat HaMann daily strengthens one's Emuna and Bitachon [belief and trust] in HASHEM, and is a "Segula for Parnassa" [auspicious for having a healthy income].

To read Parshat haMann in Hebrew [with the Aramaic translation of Onkelos], please visit: Tefillos.com

English version here: Ou.org

Read more at: Zchus Avos and Why Parshas Hamon is recited on Tuesday

Sydney: Hottest Day on Record

As fires burn around the country, Sydney reached 45.8 degrees [that's 114.4 Fahrenheit] - thankfully a cool change is expected this evening. Read more: Sydney's hottest day on record as mercury hits 45.8 degrees

Why Do You Need to Control Me?

"Let My People Go!" But Can They Let Themselves Go?

by: Rabbi YY Jacobson 

Three Boys

Three boys are in the schoolyard bragging of how great their fathers are.

The first one says: "Well, my father runs the fastest. He can fire an arrow, and start to run, I tell you, he gets there before the arrow".

The second one says: "Ha! You think that's fast! My father is a hunter. He can shoot his gun and be there before the bullet".

The third one listens to the other two and shakes his head. He then says: "You two know nothing about fast. My father is a civil servant. He stops working at 4:30 and he is home by 3:45"!

The First Commandment

The Biblical account of the Jewish Exodus from Egypt has been one of the most inspiring stories for the oppressed, enslaved and downtrodden throughout history. From the American Revolution, to the slaves of the American South, to Martin Luther King’s Let Freedom Ring, the narrative of the Exodus provided countless peoples with the courage to hope for a better future, and to act on the dream.

Moses’ first visit to Pharaoh demanding liberty for his people only brought more misery to the Hebrew slaves; the Egyptian monarch increased their torture. The Hebrews now would not listen any longer to the promise of redemption. Now let us pay heed to this strange verse in the weekly portion, Vaeira:

So G-d spoke to Moses and to Aaron, and He commanded them to the children of Israel, and to Pharaoh the king of Egypt, to let the children of Israel out of the land of Egypt. [1]

G-d is charging Moses with two directives: Command the people of Israel and then command Pharaoh the king. However, the verse is ambiguous: What did G-d command Moses to instruct the people? The message for Pharaoh is clear: Let the children of Israel out of Egypt. But what is it that Moses is supposed to command the people themselves? The Jerusalem Talmud [2] says something profoundly enigmatic:

G-d instructed Moses to command to the Jewish people the laws of freeing slaves.

The Talmud is referring to a law recorded later in Exodus: [3] If a Jew sells himself as a slave, the owner must let him go after six years. He is forbidden to hold on to the slave for longer. This was the law Moses was to share with the Israelites while they were in Egyptian bondage.

The Basis for the Commentary

The Talmud bases this novel and seemingly unfounded interpretation on a fascinating narrative in the book of Jeremiah: [4]

Then the word of the Lord came to Jeremiah from the Lord, saying: So says the Lord G-d of Israel; I made a covenant with your fathers on the day that I brought them forth out of the land of Egypt, out of the house of slaves, saying: "At the end of seven years you shall let go every man his brother Jew who has been sold to you, and when he has served you for six years you shall let him go free from you."

The question is, where do we find a covenant made by G-d with the Jewish people when they left Egypt to free their slaves? In a brilliant speculation, the Talmud suggests that this is the meaning of the above enigmatic verse, “G-d spoke to Moses and to Aaron, and He commanded them to the children of Israel, and to Pharaoh the king of Egypt, to let the children of Israel out of the land of Egypt.” The commandment to the children of Israel was to set free their slaves.

Yet this seems like a cruel joke. The Children of Israel at this point were crushed and tormented slave themselves, subjugated by a genocidal despot and a tyrannical regime, enduring horrific torture. Yet at this point in time G-d wants Moses to command them about the laws relevant to the aristocrat, the feudal lord, the slave-owner?! [5]

What is more, as the Torah puts it: “G-d commanded them to the children of Israel, and to Pharaoh the king of Egypt to let the children of Israel out of the land of Egypt.” It seems like the two instructions—the one to the Israelites and the one to the Egyptian king—are linked. And furthermore: the commandment to the Israelites preceded the commandment to Pharaoh. But what does the commandment to the Jewish that they free their slaves one day in the future have to do with the mission to Pharaoh to set the Hebrews free from bondage?

Who Is Free?

The answer to this question is profoundly simple and moving, and is vital to the understanding of liberty in the biblical imagination.

Before Pharaoh can liberate the Jewish slaves, they must be ready to become free. You can take a man out of slavery, but it may prove more challenging to take slavery out of a man. Externally, you may be free; internally you may still be enslaved.

What is the first and foremost symptom of bring free? That you learn to confer freedom on others.

The dictator, the control freak, or the abusive spouse or parent, does not know how give others freedom. He (or she) feels compelled to force others into the mold that he has created for them. Uncomfortable in his own skin, he is afraid that someone will overshadow him, expose his weaknesses, usurp his position or make him feel extra in this world. Outwardly he attempts to appear powerful, but inwardly his power is a symptom of inner misery and confinement.

Only when one learns to embrace others, not for whom he would like them to be, but for whom they are, then can he begin to embrace himself, not for whom he wishes he was, but for whom he is. When we free those around us, we are freeing ourselves. By accepting them, we learn to accept ourselves.

Who is powerful? He who empowers. Who is free? He who can free others. Who is a leader? He who creates other leaders.

“Nearly all men can stand adversity, but if you want to test a man's character, give him power,” Abraham Lincoln said. Ask yourself, do you know how to celebrate the soaring success of your loved ones and constituents? Do you encourage them to spread their wings and maximize their potentials? Can you allow others to shine?

Pharaoh may set you free physically. But former slaves can become present tyrants. People who were abused often become abusers themselves. It is what they know about life; it is the paradigm they were raised with. They grew up in abuse and slavery, so they continue the cycle with others. The first Mitzvah the Jews had to hear from Moses before even he can go the Pharaoh to let them go free was: One day you will be free. Remember that freedom is a gift; use it to free others.

Source and footnotes: click here