The Final Tikkun

Written by R. Yaakov Nathan

The generation of the desert, the Dor Hamidbar, was on a very high level. They were a "dor de'ah", a generation of knowledge, on the level of Bina. Yet they committed the sin of the Golden Calf [parshas Ki Tisa]. This sin was a direct result of their own intellectualization, their miscalculation of when Moshe should have come back from his spiritual elevation on Mount Sinai. [The verse says "boshesh Moshe" and Rashi from the Gemara explains that it means "ba shesh" - that they calculated that Moshe should have been back by the 6th hour of the day.]  It was their own intellect which brought them into trouble--they wavered in their trust of Moshe and over-intellectualized the situation.

The midrash states that the Soton showed them Moshe lying on his deathbed, which opened them up to consider the reasoning that Moshe should have already come down. The Ohr Hachayim explains that what they saw was "with the eye of the intellect"--they didn't hallucinate, but rather they misinterpreted the reality.

Amidst this confusion comes the Erev Rav, the Egyptian magicians who left Egypt with the children of Israel, demanding a new leader to replace Moshe -- since they saw that the Jews were wavering, open to the suggestion that Moshe was delayed and could not descend from the spiritual heights he had ascended to. This is the cause of the Golden Calf [see the Ramban--it was a replacement for Moshe, not Hashem].

When Moshe ascended the mountain, the Arizal states that he received 1,000 lights. This is the level of Moshiach. Moshe had been elevated to Moshiach on the mountain, but the people did not withstand the test; their faith in Moshe wavered, allowing the Erev Rav to bring about the sin of the Golden Calf. This caused Hashem to say to Moshe "Go, descend" [32:7], says Rashi: "Descend from your greatness", descend from the level of Moshiach.

The Arizal writes that the final generation is a reincarnation of the Dor Hamidbar. The Lubavitcher Rebbe said explicitly that this applies to us - we are literally the souls of the generation of the desert. In Rambam's "13 Ikkarim" he writes that we believe in the coming of Moshiach "even if he delays".

Why does the Rambam feel the need to mention a delay here? What's the connection between Moshiach and a delay? The first redeemer [Moshe] is the last redeemer [Moshiach] and perhaps our situation now - waiting in the confusion - is the tikkun for the situation the first time around?

The Rambam explains in Hilchos Tshuva that "Tshuva is completed when an opportunity to commit one's original transgression again arises but one doesn't and repents instead." We are the generation of the midbar--we are rectifying our sin by waiting for Moshiach. Despite what the eye of the intellect might think, our obligation is to trust in Moshe Rabbeinu, not to seek a replacement leader. Not to let the Erev Rav within us entice us to find a "new leader" of the Jewish nation, to make a new Golden Calf [G-d forbid].

Moshe Rabbeinu doesn't need to be replaced, and we are playing our role in the final tikkun. Hold on strong with emunah that goes beyond the intellect and "even though he delays, we wait for him every day".

The Psychic Breastplate

Picture: Rabbi Mordechai Becher

"And Aaron shall carry the names of the Children of Israel in the Breastplate of Judgment over his heart, when he enters the Holy Place, as a rememberance before G·d at all times. And you shall place the Urim and the Tumin (a parchment containing G-d's name) into the (fold of the) Breastplate of Judgment so that it will be over Aaron's heart when he comes before G·d . . "

[Tetzaveh 28:29-30]

The Breastplate of Judgment was a prophetic device, worn by the High Priest, through which questions could be asked of G·d. When the king or the High Court (Sanhedrin) would ask a question, the Priest would see various letters sparkle or bulge out. Using Divine Inspiration, he would then be able to combine the letters to spell out the answer. [See Aryeh Kaplan, Handbook of Jewish Thought, vol. 1 (New York: Moznaim, 1979), 6:36 and fn. 110, for more on this subject]

There were twelve precious stones set in the Breastplate of Judgment. They were engraved with the names of the Patriarchs, Abraham, Isaac and Jacob, the names of the twelve tribes, and the words "tribes of Yeshurun." Certain letters, such as the gimel or the zayin, were written only once. [Yoma 73b]

As our Sages have said, the Breastplate barely contained all twenty-two letters of the Hebrew alphabet. Therefore, when they had to ask a question that used several of the same letters, such as "Should I go to Bavel," how were they answered?

The question "Should I go to Bavel?" contains two letters beit, and three lameds. However, it is likely that the author was only using this as an example of a phrase with repeating letters, because there were at least five beits and four lameds in the Breastplate - enough to spell out these words.

There is a very great mystery in this . . . I heard from my grandfather [the Baal Shem Tov], that each of the twenty-two letters [of the Hebrew alphabet] contains within it all the other letters of the alphabet - these can be attained by spelling out each letter in full. For instance, writing out the letter aleph in full provides a lamed and a phey. Furthermore, each of these letters can be further expanded, to produce even more letters, until the entire Hebrew alphabet is reconstituted - except for the letter mem which, when written in full, will not produce any additional letters.

Since G·d commanded that all twenty-two letters be inscribed on the Breastplate, when the priest would be enwrapped in Divine inspiration, the letters would shine in their expanded forms. This enabled the priest to receive everything he needed to know. This is the meaning of "shoham stones and filling stones "avnei miluyim" for the apron and for the Breastplate" [Tetzaveh 25:7].

"Avnei miluyim" read alternatively as "stones that are filled out" - meaning that the engraved letters shone in their expanded forms. In a number of other lessons on this theme, the Baal Shem Tov explains that additional letters can be derived from a single letter by using the techniques of gematria (numerical value of the letters), or by dividing the letters into their component parts. It is possible that those approaches were originally mentioned with this lesson, since there are a number of other letters, such as the gimel, zayin, ches, tes and samech that could never be derived from the other letters, no matter how many times they are spelled out.

Source: From the writings of the Baal Shem Tov

Translation and Commentary by Rabbi Dr. Eliezer Shore

Unfinished Business

Week's Energy for Parshas Mishpatim

Resetting our Moral Compass

by Rav DovBer Pinson

The Torah reading this week opens with the words; “And these are the Mishpatim /ordinances that you shall set before them.” [21:1]

'Mishpatim' are the ethical and civil laws that govern our behavior towards our fellow human beings, a social contract, as it were.

The Zohar chooses this portion, from amongst all the other Torah readings, to explore the mystery of Reincarnation.

As a rule, our souls incarnate to reach our own actualization and individuation. Each subsequent reincarnation articulates another element of our soul. Each incarnation is a completely different person with a different tikkun [correction], meant to articulate a particular element of soul that has not yet been expressed.

There is one form of reincarnation however, where the totality of who you are and were in the past will reincarnate to create a Tikkun, a rectification for a past life. It is particularly the unfinished monetary issues and unethical dealings between people that require the totality of self to return and hopefully create repair.

Our goal is to fully articulate our particular aspect of soul within our lifetime, and not require a reincarnation of our unique self.

To this end, it is of utmost importance to rectify all negative patterns of unethical behavior that we might express in our lives. In our business dealings, and all other relationships, we must be extra cautious to be moral and honest and repair any unscrupulous behaviors.

This week’s Torah reading imbues us with the energy to effect repair, or Tikkun, for interpersonal issues, particularly in regard to monetary dealings and any dishonorable financial behaviors.

Throughout the week it is important to be extra mindful when it comes to ethical dealings with others.

Try to recognize your negative patterns in regards to business/financial dealings and receive the energy of Mishpatim as an impetus to break out of these behaviors.

Rectifying these negative unethical patterns will ensure a complete tikkun in our lifetime and the ability for our soul to move forward in this life and the next without the need to ‘come back’ and try again.

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Synchronized Starlings in Netivot

Bird watchers enjoy a rare synchronized starling flyover as they form black clouds in Israel's skies.

The Seven Keys to Shamayim

by Harav Moshe Wolfson, shlita [Rav of Beis Medrash Emunas Yisroel and Mashgiach of Yeshivah Torah Vodaas]

[Adapted from a shiur that was delivered under the auspices of Irgun Shiurai Torah and prepared for publication by Rabbi Yochonon Donn]

Wordless Power

There are two types of song: one has words (this category would include the art of poetry) in which words are joined together to create a rhythmic pattern and a sense of uniformity. In this type, the feeling of enjoyment and relaxation that comes from hearing music results from the whole song including the words.

In the second type of song, the reason for the enjoyment it gives us is more obscure: it comes when notes are put together to create a wordless song. It is not logical that notes thrown together should elicit a sense of enjoyment in people, that wordless tunes can be enjoyed is a gift from Hashem.

Sefer Pe'as Hashulchan by Harav Yisrael of Shklov zt'l, cites the Vilna Gaon in saying that most of the secrets of Torah are hidden in the art of music and that without understanding music it is impossible to comprehend the Torah. This knowledge of music was given over to Moshe Rabbeinu on Har Sinai along with the rest of the Torah.

The Zohar even says that there is a heichal - an entranceway - in Shamayim that can be opened only with neginah (song). The Zohar relates that Dovid HaMelech approached that entrance only with the neginah of his Sefer Tehillim.

Keys to the Heichal

The seven major musical notes are called keys. Each of the seven keys opens a different door in Shamayim, and it is only through music that these entryways can be opened. Musicologists do not know why the term "key" is used, but it is quite possible that it is a tradition handed down from Yuval, whom the Torah identifies as the father of music.

When the Baal Ha'Tanya came to Shklov, the residents bombarded him with questions. Chabad sources say that he responded with only a niggun, which answered all their questions. As the Vilna Gaon explained, music opens the doors of Torah in Shamayim.

A Gemara in Arachin says that the kinor (stringed instrument) in the Beis Hamikdash had seven strings, but in the times of Moshiach it will have eight strings. There are seven major notes on a musical scale, and the seventh note corresponds to Shabbos, for Shabbos completes the kinor, so that even today one can sing. The seven days of the week are actually the seven tunes of Creation. When Shabbos - the seventh tune - arrives, the harp is complete. This is the reason why we usher in the Shabbos with kapitel 29 of Tehillim, which describes the seven kolos - since then we can proceed with song.

This is the reason for the minhag among Klal Yisrael of singing zemiros on Shabbos. HaRav Mordechai of Lechovich zt"l reportedly said that he would be able to believe that all the seven seas had dried up, but not that a Jew does not sing zemiros on Shabbos.

The reason people so enjoy songs is that the tones that form them have been combined ever since the six days of Creation. Some songs, however, only confuse a person, such as some modern-day songs that are based on, for example, the pounding of a drum, or on words that have no correlation to each other, such as many non-Jewish songs. While they have a tune, it is different than the accepted process of music.

This latter type of song leads to immorality, just as the tones of these songs have no relation to each other but are merely thrown together, immorality involves the relations of two people who are not meant for each other. Neither these songs nor illicit unions were predestined from Creation.

Seven Keys of Chesed

There is a fundamental difference between the seven ushpizin (the holy guests on Succot) and the twelve shvatim - the 12 tribes of Israel. Every Jew has a direct connection with the Ushpizin, whereas each shevet is a separate and unique entity, the shvatim are thus a symbol of disunity.

For every seven white keys, representing the major notes on the piano, there are five black keys, representing the minor notes, each of which is a half-tone higher or lower than the white key next to it. The black keys complement and harmonize with the white keys.

In general, someone who would play using just the white keys on the piano would be able to play only a lively song, while playing just the black keys would result in a sorrowful song of sadness.

It is likely then that another tradition handed down from Yuval is for the keys that play major notes to be white, for happy songs, while the black keys, which play the minor notes, are black, for mournful music.

White is a source of chessed (kindness) for Klal Yisrael (this may be one reason doctors wear white), on the Yamim Nora'im we wear white kittels. Black, on the other hand, represents the trait of gevurah (severity) and is a source and an expression of melancholy.

A song that is played using a combination of black and white keys mixes chessed and gevurah. Together the seven white keys and five black keys of an octave equal twelve, the number of tribes of Israel, which as mentoned above, can symbolize disunity. Such a song is appropriate only for galus. When Moshiach arrives, however, everything will be white, for there will be no atzvus (sadness).

Chazal tell us that when Moshiach comes, an eighth key will be added to music; this key will be a 'roundup' of the previous seven (similar to the all-inclusive kollel used in gematriyos).

In Sefer Tehillim (68:7) when Dovid HaMelech relates the events of our redemption from Mitzrayim, he says motzi asirim bakosharos - "(Hashem) releases those who are bound in chains". The Gemara explains that the word "bakosharos" is a combination of bechi and shiros - simultaneous crying and laughter. This is a song played with both the white and black keys. When Moshiach comes, however, there will only be shirah - a joyous song played with the white keys.

How Strong Are You?

Art by Paul David Bond

Words by Rabbi Michoel Gourarie

In Pirkei Avot [Ethics of the Fathers] there is a passage that reads: Ben Zoma said, Who is strong? He who conquers his evil inclination as it says, 'He who masters his passions is better than one who conquers a city.' The message here is clear - dealing with, and changing negative behavior is extremely difficult. Why does discipline and self control need so much strength?

The mystics explain that every one of us is operated by two forces - the animal soul and the Divine soul. The animal soul is the source of our ego and encourages hedonism, aggression, laziness and emptiness. The Divine soul is the source of moral reasoning and spiritual consciousness. It inspires an awareness of a higher purpose and gives us the ability to think rationally and objectively, making decisions for ethical behavior and appropriate responses to everyday experiences.

Each soul has its own dominant force. The animal soul is driven by instincts that are highly emotional, whereas the Divine soul is dominated by the power of intellect and reason. Both souls fight for control of the person. Both struggle to shape our personality and define our identity.

This is where the challenge of self control lies. The animalistic force is quick. It is emotional and instinctive and prompts a very swift response. The Divine soul is intellectual. It needs time to cognitively process the appropriate and moral response. So when we are insulted or provoked or presented with temptations and ethical dilemmas, the immediate response will be the feelings generated by the instincts and explosive emotions of the animal soul. We are tempted to get angry or do the wrong thing before we give the moral reason a chance.

Self control therefore needs the incredible strength of restraint. It requires holding back for just a few seconds between the things that happen to us and our response, creating a little space to think and process the point of view of the Divine voice. It is what Stephen Covey calls the "pause button between the stimulus and the response".

We need to train ourselves not to act quickly and instinctively. We need to use the unique ability of the human being to stop and ask ourselves the question - is this wrong or right? It takes amazing strength to wait a few seconds, but those few seconds can be the difference between an animalistic act and a divine one..

Next time you are faced with a challenge, give yourself a few seconds for the voice of the soul to be heard.

HafTorah Beshalach: The Victory Song of Devorah

Written by Reuven Gavriel ben Nissim Ebrahimoff

Read from the Book of Shoftim or Judges

Chapters 4 [The story] and 5 [the Song] for Ashkenazim, Just Chapter 5 for Sephardim.

Deborah commissions Barak to rid Israel of Cannanite oppression. The Prophetess brings about a spiritual regeneration.

The Story Line: 4:1-3 Bnai Yisrael sins by worshipping idols and are subdued by the Cana'anim [Cananites]. 4:4,5 The Prophetess Deborah, wife of Lapidot, becomes the leader of the Jews. 4:6-9 She sends Barak a prophetic message to wage war against the enemy. Hashem confuses Sisera's camp. 4:10-16 The enemy is defeated, just one person remains - Sisera. 4:17-22 Yael kills general Sisera by driving a spike through his head. 4:23-24 Bnai Yisrael kills King Yavin.

Devorah's Song - 5:1-3 Introduction: Praises to Hashem. Torah study and observance brings victory to Bnai Yisrael. 5:4-5 Without Torah they loose and with it they win. 5:6-13 Deborah's Song begins with the description of Matan Torah [The Giving of the Torah]. Start doing circumcisions again and Hashem will bless you. When you want evil decrees to be reversed, Praise Hashem. Thanks to Hashem for the most recent victory and protection from the enemy. 5:14-18 Praise for the Jews who joined the battle and condemnation of those who did not. 5:19-22 The miracles of the war. 5:23-27 Meroz is cursed and Yael is blessed. 5:28-30 False hopes in Sisra's camp. The Conclusion. This event broke the power King Yabin had over the Israelites.

The Haftorah's Connection between the Parsha and Haftorah: The Parsha of Beshalach contains the song that Moshe sang at the Yam Suf [Sea of Reeds], after Hashem rescued the nation of Israel from the Egyptian army. The Haftarah contains the song that was sung after Deborah defeated the Cananites.

The Biography of Deborah: Deborah was one of the seven Prophetesses, and knew the secret of Divine wisdom. She was a Shofettet [female judge] and war leader that led Israel from foreign oppression.

She lived in the latter half of the 12th century BCE.

Her husband was called a Lapidot [Wick Maker] She prophesied for 40 years.

Deborah was independently wealthy, she owned palm trees in Jericho, Orchards in Ramah. Oil producing olive trees in Beit-el.

She sat under a palm tree in order to avoid seclusion with men.

The Mishkan was in Shilo at the time.

Six miracles occurred on this day.

She came from the tribe of Naftali

She lived in Atarot.

Timeline: This story occurred about 3135 years ago.

The location of this Haftara is Mt. Tabor.

The Last Song

The Mechilta states that "there are ten songs" beginning with the song at the sea led by Moshe, and concluding with the tenth song which will be sung with Moshiach. All the [nine] songs mentioned in scripture are written in the feminine [shirah] since their rejoicing was followed by ["gave birth to"] further servitude. The tenth song of Moshiach is written in the masculine [shir] to indicate that it is permanent.

Chassidic teachings explain that the first nine songs emphasized primarily a desire to come closer to G-d from a distance, like a woman who longs to come closer to and receive from her husband. However, the tenth song of Moshiach will be sung from a feeling that G-d is already close and found openly in our midst, like a husband who is gracefully endearing himself to his wife.

Source: Sichas Shabbos Parshas Beshalach 5752, Lubavitcher Rebbe